It’s the Second Coming (Not of Who You Think)

BOONE, N.C. (March 4, 2026) – This morning as I wake and check the news on my phone, I’m thinking about two people on the world stage — well, three, but that third guy kinda goes without saying these crazy days.

The third man — and, yes, all three are men — is Donald Trump, of course, who has now pushed the penultimate panic button of his putrid presidency in order to divert attention from his criminality and incompetence.

There’s only one more button for him to push, and I have no doubt that he will if given the chance. Do I have to tell you what that last button does? OK. It’s the one that blows everything up, figuratively as well as literally.

How would that be for a distraction? Nope, we won’t be voting for Democrats or sensible Republicans after that happens. But it’s what 77 million Americans apparently want, right?

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SUNDAY VERSES: The State of ‘The Onion,’ Parts I & II (3/1/2026)

By RAHN ADAMS

Part I

(written before the war began early Saturday MLST*)

Donald Trump shits his britches, / and Franklin Graham merely giggles, / “Oh, just hold your noses, folks, / and pretend it’s chocolate pudding.”

‘THE ONION’ (1991), a watercolor still-life by Timberley Adams

The Donald puts his signature, / which looks like obscene squiggles, / on all the merch he sells, / like red MAGA hats, Chinese Bibles and white hooding.

On stage and behind the podium, / Don shimmies, shakes and wiggles; / if he didn’t play air-accordian so well, / you can bet the old Trumpster would sing.

The state of the onion is glassified, / the apple-polishing press corps signals; / his fragile ego’s a veil of tears, / and his id’s a mycologic no-good thing.

Donald Trump craps his pants, / and Stephen Miller giggles, / “Keep lying to those dumb [folks], sir; / they don’t know horseshit from hasty pudding.”

Continue reading SUNDAY VERSES: The State of ‘The Onion,’ Parts I & II (3/1/2026)

‘I’ve Been Trying to Get Down to the Heart of the Matter’

By RAHN ADAMS

BOONE, N.C. (Feb. 25, 2026) – I was mindlessly streaming one YouTube music video after another this past weekend, and I ran across an old song that I hadn’t heard in years but that has regularly come to mind in various contexts.

MY NEW FRIENDS at Thoreau’s cabin site on the last day of the Approaching Walden seminar in July 2012

It was Eagles founding member Don Henley’s solo hit, “The Heart of the Matter,” from his 1989 studio album, The End of the Innocence. The album came out the year before Henley founded the Walden Woods Project, a nonprofit organization that has been near and dear to my heart since July 2012 when Timberley and I went there — to Walden Woods and Walden Pond near Concord, Mass. — for the first time. I had been accepted for the week-long Approaching Walden seminar for high school teachers. It was the best professional development of my career.

Having been an Eagles fan since at least the summer of 1977, which was not long after the band’s multi-platinum-selling albums Their Greatest Hits (1971-1975) and then Hotel California initially hit the pop charts and airwaves, I was hoping that during the week-long seminar at the Thoreau Institute, Henley himself might show up to greet us, especially since his band wasn’t on tour right then. He didn’t come around, wherever he was; instead, he sends me a fund-raising letter every year in December. Even though I know what it is when I see it in our post office box, I get a momentary thrill seeing Henley’s name on the return address.

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SUNDAY VERSES: ‘Gazebo at Sunset’ (2/22/2026)

By RAHN ADAMS

The legal battle was over / who owned the lot — / the benevolent developer / or the crusading islanders.

THE ARTIST holding a print of “Gazebo at Sunset,” issued in 1992

They’d already fought / over crossing the wide moat / that protected their castles / in the shifting sands,

And the king had won, / realizing his plan / to replace the drawbridge / with a high-rise, concrete span.

But Lot 1A was different, / being new dry land / that had built itself up / with each crash of ocean surf.

At the end of the day, / King Ed said, “Let it be so / that the people win. / Our crown will be this gazebo.”

‘Have You No Sense Of Decency, Sir, At Long Last?’

By RAHN ADAMS

BOONE, N.C. (Feb. 18, 2026) – All week I’ve been intending to write this essay about the recently concluded Walk for Peace — the part of it where, not the rubber, but the bare feet of Buddhist monks and their Peace Dog met the road on their trek across the Bible Belt. That part of the mission officially ended last Wednesday.

‘MOUNT OLIVET,’ a pastel drawing by Timberley Adams. Do you see the monks?

According to the monks’ leader, the Venerable Bhikkhu Pannakara of Fort Worth, Texas, an individual’s walk for peace by practicing mindfulness should never end. That person should seek this type of peace for the rest of his or her life. And if they keep trying to find that peace within themselves — that “inner child,” he called it — they will not have failed.

That was my own epiphany — the monks’ definition of peace — after seeing them in person with Timberley on Jan. 16 outside Mount Olivet United Methodist Church near Kannapolis, N.C. The historic church, with its own old cemetery, is located across the street from Carolina Memorial Park, which covers the entire hillside there.

According to the Find-a-Grave website, more than 28,000 individuals rest in peace on that sacred hill where we met the monks.

It was the 83rd day of their mission that had begun on Oct. 26, 2025. Distance-wise, they were almost midway through the 2,300-mile, 108-day walk from Bhikkhu Pannakara’s home temple in Fort Worth to the National Cathedral in Washington, D.C. They officially ended the sacred walk with a peace rally at the Lincoln Memorial last Wednesday on Day 109. On Days 110-112, they visited Annapolis, Md., and returned to Fort Worth by bus.

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SUNDAY VERSES: ‘Bright House’ (2/15/2026)

By RAHN ADAMS

‘BRIGHT HOUSE,’ acrylic painting by Timberley Adams

The setting sun shone / in the window / of the great room / with the cathedral ceiling.

Every day at dusk / we walked together / past this bright house / on Fairmont Street

HIDING IN BACK, the print for my 2/22 poem

As we headed back / from the beach strand / or the tennis courts / on the island.

From the water tower / to the waterway, / the unmarked pavement / ran south to north,

Letting twilight die / a golden death / in the highest peak / of this vacant second home.

Bad Bunny, Buddhist Monks, and Daytona Speedweek ’26: Signs of Changing Times

By RAHN ADAMS

MORGANTON, N.C. (Feb. 11, 2026) — So many things are happening right now, it’s as if this second week in February is the nexus of alternate universes. Take three seemingly unrelated events this week that are alike only in terms of spectacle:

The week started on Sunday with Super Bowl LX — an unremarkable football game whose two halves book-ended a most remarkable halftime show. Puerto Rican rapper Bad Bunny’s extravaganza was 13 minutes of cultural education.

On Tuesday, the Buddhist monks that Timberley and I have been walking with in spirit for the past two months reached Washington, D.C., on their 2,300-mile, 108-day Walk for Peace. They are there today and tomorrow before catching a bus in Annapolis, Md., for Fort Worth, Texas, where the peace walk began. I’ll write more about it next week.

Dale Earnhardt and Timberley in the garage area before a race in the 1990s (Photo by Rahn Adams)

And today is the start of Speedweek 2026 at Daytona International Speedway in Florida — a really, really big deal for folks who like stock car racing. They’ve had three months of nothin’ since the 2025 NASCAR Cup Series Championship Race at Phoenix Raceway in Avondale, Ariz., last fall. The single-ring circus gears up again starting today.

Back in the 1990s when Dale Earnhardt was The Intimidator and won the last few of his record seven NASCAR Winston Cup championships, Timberley and I would regularly meet up with her dad, Nat Gilliam, at the races in either Darlington, S.C., or Rockingham, N.C. Nat worked with Earnhardt’s race team, representing one of its sponsors, Western Steer/Mom ‘n’ Pops, Inc., of Claremont, N.C. He even got us into the Daytona 500 once.

Continue reading Bad Bunny, Buddhist Monks, and Daytona Speedweek ’26: Signs of Changing Times

SUNDAY VERSES: ‘Two Bee Hives’ (2/8/2026)

By RAHN ADAMS

As of this morning, / the bees were still buzzing / in one of our hives / like a well-built Belvedere.

‘TWO BEE HIVES,’ a new pastel drawing by Timberley Adams

On my knees, I pressed / my ear to the box / and heard the happy thrum / of a thousand little lives,

Clustered against the cold, / generating heat / to protect that one life / at the center of their being.

Why the other hive died / we probably won’t know. / Too much stress / and too spread out, we guess.

We should have robbed it — / taken all of the gold / to make them work / harder for their precious honey.

Oh, Deer! Not How I Thought This Sad, Sad Tale Would End

By RAHN ADAMS

BOONE, N.C. (Feb. 4, 2026) – Yesterday when we left our house to drive into town, we saw three beautiful girls playing in the snow at a neighbor’s house. They seemed to be in much better moods than the last time we saw them outside.

BUCK OR DOE? I’m not sure about this deer from our Christmas snow in 2023.

That occasion was a few days before Christmas, and, once again, we were in the car but headed in, not out. The girls caught our attention that time because they were frantically running toward us as we parked in our driveway. “Hey!” I said. “What’s going on? What’s wrong?”

Startled to see us, the three large does — that is, female deer — veered away and cut through the yard, then around the house into the woods. As we climbed the stairs to our front deck, Timberley spotted what was wrong. “Look,” she said. “Over there. It’s hurt.”

It was a good-sized buck, a young spike that was half lying, half sitting in a ditch across the hollow from our house. One hindquarter was injured, keeping it — or I should say him — from even standing, much less running. But he could hold his head up, and he was alert.

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SUNDAY VERSES: ‘Fielders Choice’ (2/1/2026)

In anticipation of spring

By RAHN ADAMS

Three boys tossed a ball / in the vacant sandlot, / an excuse just to talk / and to laugh until they burst.

‘FIELDERS CHOICE,’ an acrylic painting by Timberley Adams

The eldest one quit first, / taking his new ball with him, / forcing the others / to play with another horsehide.

As hard as those two tried, / the old spheroid didn’t feel right. / One boy joked, / “This ol’ pill must be hexed.”

The younger fielder left next, / not wanting to go, / but he was called away / without any choice in the matter.

Deciding not to be a lone batter, / the last boy elected / just to play catch with the sky / until it rained or worse.