Remember when America’s watchword was HOPE, / and our leader was young, / so fit and whip-smart, too, / a family man, decent, faithful and true?
‘MANGO MADNESS’ (2024), acrylic on canvas, by T. G. Adams
Now we’ve had ten long years of LIES, / a new gilded age that hasn’t made us great, / but it let a geezer who’s greedy and fat / be the world’s biggest asshat.
He thinks he’s the KING of the world, / and I’m sure he is in his own mind, at least; / he is like Leonardo and Lil Pip, / each guy going down with his sinking ship.
I blame all of us, not just the MAGA crowd, / because even if we didn’t fly his flags / and vote for the louse, / we chose poorly for the Senate and House.
There is one Group Of People, though, / that should shoulder much of the fault — / all who ignored the rule of law / and gave a thief the keys to the vault.
You know what’s said about assumptions / and about not being prepared — / two lessons I learned, though not that well, / some thirty-nine years ago this weekend.
THREE PEN & INK illustrations by Timberley Adams for our unpublished novel, Quest of the Kindred Spirits: Healing Waters.
“Kindred Spirit” was getting married, / and she had invited beach-goers to attend / her wedding on undeveloped Bird Island / late on the last Saturday in September.
Without asking around, we had expected two hippies / and their bearded guru on the beach, / not three finely-dressed folks on a boat: / a teacher, a lawyer and a judge.
And there we were, wearing swimsuits / and carrying nothing but beach towels; / I did have my camera, though, so I hopped a skiff / up Calabash Creek to the reception.
But Dockside’s door stopped me cold — / “Shirt & Shoes Required,” the sign read; / with my tee and flip-flops back on the island, / all I could do was smack my head.
In the years we lived on the coast, / we knew a man who called his fears, / his failures, his trials, his tears / all by the very same name — “boat trouble.”
‘BOAT TROUBLE’ (1990), watercolor, by T. G. Adams
He was a guy who worked on land, / so we couldn’t help but wonder why / when he stubbed his toe or got poked in the eye, / “boat trouble” was to blame.
Even when he didn’t lose his head, / he’d wave his hands like a mime, / and the redness in his neck would climb / up to his stubbled double chin.
“What’s the matter?” we would ask; / and he’d glare at us like a mad hatter, / though he was shorter and fatter, / and he’d always say those two words.
“Boat trouble” was the standard reply / when his reputation was on the bubble; / he kept his ego from turning to rubble / by never having to say why.
If, like a honey bee, we could fly up and away / on some sunny Sabbath morn, / what should we prepare ourselves to pollinate / but take care not to let our productive presence adorn?
‘GLENN CHURCH’ (2015), pastel, by T. G. Adams
What if we seek out some sourwood / with our flight over hills and vales, / and we alight at some lakeshore or reservoir? / Or just buzz into town for a paper, two coffees and Saturday’s mail?
Wherever we might decide to hover, / we shouldn’t risk getting only a narrow, stained-glass view / like the mesmerized congregant / who sits way too long on his worn, red-cushioned pew.
So, why might we not linger there? / We’re not mean robber bees with stingers for guns; / I mean, nature’s laws are always in motion / and, in turn, rule everything under the sun.
It’s because, like Apis mellifera, / even a calm church may be full of golden honey, / but there’s still venom in that hive / that can end — for the love of money — the unwary intruder’s life.